Parahumans are humans who have undergone a traumatic experience (known as a "trigger event") and awakened superpowers. The slang/colloquial term for parahumans is "cape", which is typically (but not always) used to refer to people who wear costumes, but may refer to Rogues.


Fundamentally Parahumans are gestalt or symbiotic organisms. a combination of human and a symbiotic, and in some cases parasitic, Agent.

A Parahuman functions like a regular human but unlike regular humans, they have a Corona Pollentia. The Corona Pollentia is the portion of a parahuman's brain that adapts to and allows the parahuman to control their abilities. The Corona Pollentia seems to awaken during a parahuman's "trigger event" where it forms a connection with the Parahumans agent is formed. It also seems that parahumans can pass on a similar power to their children without them having to suffer severe mental trauma. It is important to note that while children of parahumans are more likely to gain powers, it is pointed out that it is "likely more to do with exposure to parahumans at formative ages than genetics."[1]

Trigger events can radically alter a parahumans biology as seen with Brutes and Changers, as well as having other effects like reducing or even removing the need to sleep or obviating the need for a functional body or brain.[2] Another example is that Parahumans with voice based sonic powers tend to have altered voices.[3]

Pre-Gold Morning powers were also able to alter themselves due to permanent changes in anatomy or biology of hosts, be it mutilation or deeper alterations, as exemplified by Victoria Dallon, Valefor, Bonesaw's projects and The Unmasked.[4]

Powers do not tend to work in Space.


Natural parahumans live in a state of Irony. Their abilities driving them into the same situations that gave them their powers in the first place.[5]

Parahumans who were isolated and not regularly challenged had a mild tendency toward increased mental abnormality.[6] Which makes getting multiple members working together to be a large issue.[7] Further they were know to be more emotionally volatile, their emotional peaks and valleys more exaggerated, their trigger issues causing bigger eruptions.[8] which makes exacerbated conflicts and revenge cycles all the more likely.[9] This is all due in part from the influence of their Agent,[10] and partially due to the traits of the person in question that led to them gaining the potential to trigger in the first place.[11]

Some commonalities exist when dealing with a specific type of power, masters for example have a systematic tendency to have interpersonal problems,[12] although to an extent this is true of all parahumans.[13]

As a general rule, Breakers, Movers and Trumps tend to feel distant from the rest of humanity.[14] This manifests in different ways however, with trumps focused on parahuman powers, where's breakers almost literally seperate themselves from humanity, and movers have trouble feeling rooted and staying in one place.[15][16]

In keeping with their powers and trigger events, Shakers tend to focus on context and their environment,[17] in a need to feel secure.[12]

Changers worry about not being able to change back.[18]

Tinkers, based on those seen in the storyline tend to have their personalities influenced by their gender.[19] They also have to deal with seeing the world through the lens of their ability to create i.e. everything looks like potential resources given the right tinker.[20]

Parahumans are independent people with only their agents influencing them,[21] It influences their cognition on a instinctual covert level [22] Overt control of a Parahuman by their agent is rare.


It is implied that there are a great many capes in the world, but that they still form only a small percentage of the population. Brockton Bay has roughly seventy parahumans that have been introduced and described in the course of the story, implying that capes comprise less than one percent of the population.

It is also mentioned that there is about 1 parahuman for every 8000 in urban areas.[23]


Separate yet imbedded, parahumans are seen as having come to a culture that has already been built.[citation needed]The Truce is a code of content that exists in diffrent forms around the world.

Not stealing someone's name is a common courtesy, villains have been known to hold outright duels over the subject while heroes go to great lengths to secure permission.[24]



Parahumans started to emerge around 1982, if one counts Scion as such, with the first heroes appearing in 1987.

With the propensity for parahumans to appear in marginalized groups political power shifted.[25]

The PRT was formed in the United States to among other things integrate parahumans into existing society.

Story StartEdit

Society had largely accepted parahumans as a necessary evil to combat things like the endbringers.[26]

Gold MorningEdit

Cauldrons purpose was revealed when Scion, now revealed as Zion began attacking Humanity. On a multiversal scale.

Post-Gold MorningEdit

A full understanding of parahumans biology became known to the general public, that is, the fact that they were 'created' by aliens.


  • The term Parahuman is one of several descriptions used for superheroes in media. One notable use of Parahuman is in the Miracleman Reboot authored by Alan Moore and later expanded upon by Neil Gaiman. This series also dealt with a realistic portrayal of how Superheroes would effect the World, Politically, culturally, economically and more.


  1. Interlude 13
  2. “At my apartment, I have papers on stuff like where the physical bodies of breakers go when they’re in breaker mode, or offloaded consciousnesses in nonstandard brains. I’m not sure if any of it would help in terms of inspiring tech, but maybe it could help you make some educated guesses.”- Excerpt from Torch 7.10
  3. “What ‘this’?” ReSound asked. I’d expected her voice to sound altered, as many capes with sonic themes did, but she sounded normal. Confident. - Shadow 5.2
  4. When I was in Boston, there was a group that mutilated themselves to try to force their powers to travel in these alternate paths. It worked. - Excerpt from Black 13.z‏‎
  5. “Yeah. I feel like a lot of people can just jump into it, and I don’t. In everything I’ve ever done, I’ve had a bit of a learning curve. School, work, I’m… am I shooting myself in the foot if I say that I’m slow? Not stupid slow, but… slow on the uptake, slow to adapt.”

    “You’re not shooting yourself in the foot.”

    “It’s a little ironic, though,” she says. “Being slow when I’m a mover.”

    “It’s a lot ironic, if it’s true and you’re not being unnecessarily hard on yourself. I think irony is something of a trend, in parahumans.”


    “I think it has to do with the trigger events. One event, to serve as a starting point for a new life? From your weakest moment to having raw power? Irony’s inherent in that. There’s usually an inverse link between background and the resulting power. If you talk with your teammates, I think they’d corroborate on some front.”

    “Yeah, maybe.” - Department Sixty Four, PRT Quest threat ii p4
  6. "Capes have a way of getting weird if they’re too isolated.”
    “Ah, you read Weiss Four,” Dr. Rowland comments
    “Explain?” Harrigan asks, leaning forward.
    “If a parahuman isn’t challenged, they tend to veer a little off course, mentally speaking,” Rowland says. “It’s not a strong pattern, but it’s a pattern. The paranoid get more paranoid, the aggressive get more aggressive.”
    “That’s a fact with almost any criminal,” Ingram chimes in.
    “True,” Rowland says. “That’s one of the big arguments against the idea.” - Department Sixty Four,thread III page 18
  7. Wildbow:Parahumans are naturally inclined toward conflict, because that's why they have powers in the first place - the entities want to test the powers. A great many parahumans are great balls of neuroses and they've got passengers in their heads that may be nudging them a little one way or another, powers that aren't necessarily controlled or easy to manage, or unfortunate implications. - Conversation on Spacebattles by Wildbow
  8. ““And while I don’t like the way the idea is often interpreted or the conclusions it’s taken to, there’s the notion of volatility, and the exponentially increasing chance of trouble as the groups of capes grow larger. With parahumans, things are often exaggerated, both in weak points or the hot button issues they have, or their inclination to push certain buttons. The more you put in one place, the higher the chance of the wrong button being pushed. That was another concern of mine.” - Excerpt from Flare 2.5
  9. “Everything I know about Endbringers, about basic parahuman psychology, it demands retaliation. What’s he done so far? Saturated an area in radiation? Thrown a few lightning bolts around?” - Excerpt from Crushed 24.5
  10. Depends on the shard. Bonesaw elaborates on the idea by noting 'breadth and depth' in her interlude. If the shard gets you while you're young, it can shape your personality across the board, on a deeper level. The more conflict you're involved in, the more toeholds it gets to rewrite your consciousness and your subconscious. To alter your thinking, it needs to do it as a part of the trigger event, or as part of the brain's development.

    In the extreme cases, the shard can leave you with an impulse (Must fight when a fight presents itself), help set up an obsession ("Wall myself in!"), steer a neurosis in one particular direction (specific hallucinations rather than random ones, of you hurting people, pushing someone down the stairs, etc), create a link between A and B (Being around fire makes subject lose empathy and inhibitions. With lower empathy and inhibitions, subject uses power to make more fire.), or steer a personality trait to an extreme (Must be on top, I answer to no one!), or they just overwrite stuff (Can't understand humans, only dogs).

    In the lesser cases, it can be a nudge, hard to distinguish from one's own psychology. You might be on the fence about something, trying to make a call, and the passenger pushes you one way over the other, based on your own feelings of doubt or fear. It might tap into emotions, and dampen X emotion while promoting Y, just dampen them across the board, or take the joy out of day to day living while adding excitement to the cape life. A vague sort of depression that only goes away when one's out and fighting. Sometimes, as mentioned before, it's set up as a trap, a flood of emotion or a set of mental switches that get thrown when a prerequisite is met - such as a cape just steering clear of all confrontations, except the shard set it up so they can't, and they have a sort of limit break/command cutting in that mandates them to fight in one way or another. Or it plays off a limit or a berserk button that already exists - Damsel can't spend too long being anything less than top dog or she gets restless, and if she goes too long despite that, then she has to act, she's acting without thinking about it. This takes time and effort for the passenger, and a host that doesn't demand that time and effort (by circumstance or intent) is going to develop a better connection with the power. This in turn is a reward of sorts. If Damsel did kill the local capes and assume control over the area, fighting off all comers, she'd find her facility and control with her power just ramped up like crazy.

    It varies from cape to cape and shard to shard, and it varies depending on the host, the host's background and the host's personality.

    Beyond that, other influences include the passenger playing fast and loose with the power itself, as it controls the metadata, which may be more visible if the subject breaks from their norm in terms of consciousness (gets a concussion, tranquilized), working off base instincts and impulses like 'stay camouflaged' (be a little more creepy and unsettling), intimidate/dominate (passenger works behind the scenes to make you look a little more dangerous as you mutate/grow/surround yourself in the aura of your power), etc, etc. In more pronounced cases, the power is just plain controlled by the passenger, not the host, and the passenger makes the seemingly random or uncontrolled aspects generate more conflict... pushing a power to kill rather than leave someone alive, or a thinker power turns up a vision of something the subject didn't want to see.

    On the macro level, too, don't discount the fact that some shards (particularly powerful ones that warranted attention) are just sent to specific people, with the idea that it's a combination that's going to promote more conflict just by the sheer dynamic of it (Powerful person with a destructive power, a desperate person with a power with negative implications). - Comment by Wildbow on Spacebattles
  11. There was a scene where the entity stood over the broadcaster’s corpse and ruminated on what had driven the male to such extremes. The shard wasn’t a particularly aggressive one. - Excerpt from Interlude 26
  12. 12.0 12.1 “I remember you geeking out one time,” Crystal said.  “Remember?  You were telling me all about how Masters have interpersonal problems and Shakers have issues feeling secure-”

    “Ahem,” Vista said.

    “-and tinkers dwell…”

    “You got shakers wrong,” I pointed out. - excerpt from Polarize 10.10
  13. I wrote a paper a while back about how Masters tend to have loneliness as part of their trigger events, and how maybe that was why Masters tend to be villains.  Because you need support and social pressure to be more of a good guy.  My professor then, the guy who I work for now, Dr. Wysocki, he tore me to pieces.  Too many other parahumans have it as part of their history.  Isolation.  It wasn’t enough to suggest a correlation. - except from Interlude 18.y
  14. I knew Trump powers tended to arise, though not always, when a person triggered in relation to power-based stressors. I knew they tended to feel disconnected from humanity, much like breakers did, just like how movers reported being chronically restless or having trouble setting down roots. - Excerpt from Polarize 10.13
  15. When one could fly, it was easy to feel disconnected.  Movers in general had issues when it came to feeling or being rooted in things.  Being someone who had to run, walk, drive, and navigate the city on a day to day basis meant being in the city. - excerpt from Torch 7.4
  16. Longscratch… I don’t know why he’s even here.  Tempera suggested it to him, for some reason, he accepted for some reason.  He’s upset it fell apart.  Next time, he’ll just say no.  He’ll steer clear so he doesn’t have reason to get upset again.”

    “Mover psychology?” I asked. - excerpt from Daybreak 1.3
  17. Shaker power, yes. Area or environment focused. Changing the battlefield. Shaker powers fell roughly in line with contextual or environmental threats. They were mindful of those things, usually. Context. Environment. - Polarize 10.13
  18. There were too many stories, and recent mention of the Breaker in the hospital that hadn’t been able to leave her form wasn’t the only one of its kind. Changers, Breakers, and tinkers who emulated those things always had the ‘what if I can’t go back’ problem in the backs of their minds. Tristan was an all-too-recent reminder of how easy it would be to walk that line, and pick the exact wrong moment to use a power. - Excerpt from Heavens 12.9
  19. Beacon 8.2
  20. I think the drawback of tinker is less the fair dose of crazy and more the "When all you have is a hammer, every problem looks like a nail" - you start viewing the world through a different lens, but that lens requires a huge investment in time and other resources. You can't really ~not~ use your power, and using the tinker power really gets in the way of regular life. - Wildbow on Reddit
  21. Shards only very rarely 'make' people do anything. They pick their hosts with care, those people who are going to be inclined to use powers more or throw themselves into a given type of situation, they may nudge, or encourage more subtly, reinforcing behaviors they want with more power, more focus and utility in the power, or in damping down any drawbacks. In some cases, they may ebb and flow in terms of effectiveness, and in cases like Canary's, may ebb more for a long time, getting her to let her guard down, before a 'kill all the Japanese' chance comes up. - [Spoilers All Did Canary's shard...?] Wildbow,, 2016
  22. The broadcaster had finished speaking just a moment before the craft had launched, oblivious to the blaring noise that had been intended to drown him out. What I don’t understand, is why a blank slate like you would default to doing good deeds, rescuing cats from trees. Why not turn to that violence, as our ancestors did? It drove them, just like it drives the basest and most monstrous of our kind.

    Had he known he had a listening ear? Had it merely been a struggle to continue doing what he’d instinctively done for decades?

    The shards retained memories, motivated, pushed. - excerpt from Interlude 26
  23. Insurmountable. Too much work for one woman to handle. She delegated where she could, but too much of the responsibility was hers and hers alone. The humans outnumbered parahumans by eight-thousand to one, give or take, in urban areas. Outside of the more densely populated areas, it dropped to a more manageable one to twenty-six-thousand ratio. But here in Brockton Bay, many had evacuated. Few places in the world, if any, sported the imbalanced proportion that Brockton Bay now featured. What was it now? One parahuman to every two thousand people? One parahuman to every five hundred people? Each parahuman represented their respective interests. She represented everyone else’s. The people without powers. - Excerpt from Interlude 13
  24. Parahumans Online is something of a wiki that establishes names. If you don't pick and declare a name for yourself, someone else will (a la Skitter). If you pick a name that's stupid (superdude785) or offensive, the community will name you or strive to rename you (a la Bitch/Hellhound), depending.

    Keep in mind that language is always striving to simplify itself. Long-winded names don't tend to get a lot of traction and will become nicknames, which eventually become the new standard. Someone names themselves Cyber Stealth Death Ninjaman ends up getting referred to as Cyberdeath, and that becomes their name.

    Getting huffy and going, "But guyyyys! I'm Cyber Stealth Death Ninjaman, not Cyberdeath!" is a fast way to lose rep and have people move even faster to the short-form.

    When a villain dies, their name is up for grabs, but if it's just taken without a second thought, then has a way of maintaining bad reps and picking up old rivalries with few of the benefits. That guy who always wanted to stomp Tailspin's ass might get some cathartic release from beating down Tailspin II. Sometimes very stupid villains take a name that's already taken, causing headaches for everyone involved, and invite beatdowns & contests over the name.

    Heroes are far more likely to simply ask for permission to use a name. Unicorn III passed her name on to Unicorn IV, for example. - Wildbow on Reddit
  25. It's worth stating that one of the underling ideas driving the formation of groups and ideological factions in the Wormverse is the notion that some people get a voice where they otherwise wouldn't. Give an immense amount of power to a (relatively) random section of the population and you'll see certain shifts in the overlying sentiments.

    All the more so when you think that a parahuman with aspirations might latch on to an idea, concept, or group to get reputation, resources, and contacts. - Comment by Wildbow on Sufficient Velocity
  26. Extermination 8.2
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